Part of Hearts B&W

Art work consist of several glass shapes and a number of black and white drawings.

Deliberately broken, imperfect and collapsed, still reminding very much of a heart - the most essential life organ and one of the most reproduced and trite symbol.

I wanted to imbue pieces with a sense of brokenness, fragility and durability –qualities which characterize glass as well as the heart in its understanding as a symbol for romance, love and life. Working on the hearts, I tried technically to play with the idioms pertaining to the symbol – cold heart, broken heart, warm hearted, heart of stone etc. Glass is, of course, shaped when it is hot and soft, when blown formed by the “life giving” air from lungs. Then I create imperfections, make the shapes collapse in some places, and when it is cold, I cut and grain it, bringing up hidden layers of colours and cracks.

. . . to bring associations to human anatomy as well as fossils from a time prior to human existence.

I aimed to make the sculptures resemble hearts but not copy them. For this reason I made them black and white, to relate my objects to classic marble sculptures or to other traditional monochrome sculptural media (clay, bronze, stone etc).

I was inspired by anatomic wax models made in Florence in the 18 century, which I first saw and drew at the Josephinium museum in Vienna. Dramatic casting of real human body parts made from such an unendurable material as wax - realistic and colourful painted preserved for 300 years old. Somehow the most fragile things can be the most durable! I also made precise study drawings of real pigs hearts which are the closest ones to human. These I took from a butcher’s shop in Copenhagen - The pork meat market of Europe (some hearts are still in my freezer).

In this work I have concentrated on completely different qualities of glass than in my previous sculptures. The work on this series has made me rediscover the material. Objects could be exhibited ether in a row on one long podium reminding abstract piece of furniture with drawings opposite on the wall, or similar to how medical or geological museums exhibit their objects in specially made glass show cases. Foto credit:Lars Kaae

Part of Hearts B&W

Art work consist of several glass shapes and a number of black and white drawings.

Deliberately broken, imperfect and collapsed, still reminding very much of a heart - the most essential life organ and one of the most reproduced and trite symbol.

I wanted to imbue pieces with a sense of brokenness, fragility and durability –qualities which characterize glass as well as the heart in its understanding as a symbol for romance, love and life. Working on the hearts, I tried technically to play with the idioms pertaining to the symbol – cold heart, broken heart, warm hearted, heart of stone etc. Glass is, of course, shaped when it is hot and soft, when blown formed by the “life giving” air from lungs. Then I create imperfections, make the shapes collapse in some places, and when it is cold, I cut and grain it, bringing up hidden layers of colours and cracks.

. . . to bring associations to human anatomy as well as fossils from a time prior to human existence.

I aimed to make the sculptures resemble hearts but not copy them. For this reason I made them black and white, to relate my objects to classic marble sculptures or to other traditional monochrome sculptural media (clay, bronze, stone etc).

I was inspired by anatomic wax models made in Florence in the 18 century, which I first saw and drew at the Josephinium museum in Vienna. Dramatic casting of real human body parts made from such an unendurable material as wax - realistic and colourful painted preserved for 300 years old.

Somehow the most fragile things can be the most durable!

I also made precise study drawings of real pigs hearts which are the closest ones to human. These I took from a butcher’s shop in Copenhagen - The pork meat market of Europe (some hearts are still in my freezer).

In this work I have concentrated on completely different qualities of glass than in my previous sculptures. The work on this series has made me rediscover the material.

Objects could be exhibited ether in a row on one long podium reminding abstract piece of furniture with drawings opposite on the wall, or similar to how medical or geological museums exhibit their objects in specially made glass show cases.